I listen to a lot of music. A lot. A lot. And there’s nothing that makes me quite as happy as good music.
I love to watch bands evolve into more mature artists. What “scene kids” call selling-out, I call progression. Just because bands like Blindside and P.O.D. aren’t the atypical metal bands that they were when they first came around doesn’t mean they sold out for the almighty dollar. It shows maturity, experience and an understanding of who they are, not only as musicians, but as people. And it’s so much fun to watch the transition of these bands from album to album. The most recent being Relient K.
When I was introduced Relient K, I enjoyed their music, but I didn’t think they’d make such a big impression on the landscape of pop-rock music. They were a band that made music about the Thundercats, sappy high school crushes, and Seventeen Magazine. It just didn’t seem like the meaningful, developed subject matter that artists need to make the necessary impact on the scene to stick around for very long.
In all honesty, Relient K had lost my interest since their sophomore album “The Anatomy of Tongue in Cheek.” I can’t begin to tell you my thoughts on “MmHmm,” “Two Lefts Don’t Make a Right…But Three Do,” or the “Apathetic EP.” I don’t have an opinion because I didn’t listen to a single track from any of the three. I’m not going to spout off opinions on a subject that I have absolutely no information about. I was born at night, but not last night, thank you very much!
Let’s just say my interest has been re-reached its zenith with the newest installment from the boys from Canton, OH. As special as that sounds (thanks Rachel), I don’t know how else to describe it. “Five Score and Seven Years Ago” has been billed by the band as “by far, our best effort to date” (RelientK.com). And are they ever right. With the exception of one track – “Faking My Own Suicide,” which sounds like a bad audition on Nashville Star – the album is absolutely stellar. The rawness of the pure emotion laid into each of the tracks is evident, and listeners can really relate to what Matt Thiessen and company bring to the table.
“Bite My Tongue,” “Come Right Out and Say It,” and “I Need You” are easily the best of the bunch, but that’s really like saying the top five picks of the 1996 NBA Draft were the best of that class. (That was, of course, the same year Kobe Bryant was drafted 13th overall, two-time MVP Steve Nash was selected at 15, and perennial All-Star Jermaine O’Neal was picked at 17.) This is just a great album – one that will be in the rotation for a long time coming for sure. Consider that your recommendation.
It’s one that is definitely worth the trip to the retail store, the visit to iTunes, or however you feel most comfortable in the flotation of your watercraft.
(Ok, consider that your recommendation.)